Paige K. Bradley is an artist and writer based in New York. She has staged solo exhibitions at Blade Study, KAJE, and Lubov, and has been included in thematic and group exhibitions at Somerset House in London as well as Simone Subal, Kai Matsumiya, the Broodthaers Society of America, and Theta in New York. She also contributed to Canal Street Research Association’s installation for the 2021–22 iteration of Greater New York at MoMA PS1. She was featured on Cultured’s annual “Young Artists” list for 2024, and her critically acclaimed solo show was a highlight of artist Josh Kline’s “Best of 2023” list in Artforum. Her work has been featured multiple times on Contemporary Art Daily and written about or published in The New Yorker, W, e-flux Criticism, Cultured, Artnet, Artforum, Family Style, and The Whitney Review of New Writing, among other publications.
Her work was included in CUTE, a major thematic exhibition at Somerset House in the winter of 2024, alongside contributions by Mike Kelley, Karen Kilimnik, Nayland Blake, and Cosima von Bonin. The show traveled to Kunsthal Rotterdam, where it reopened on July 5, 2025. She presented the Gramercy International Prize–winning solo booth at the thirtieth-anniversary edition of The Armory Show in September 2024, where her installation was described by Artnet as telling “a meta-story of what it means to be an artist in the contemporary landscape.”
She was an Elaine G. Weitzen ISP Studio Program Fellow in the Whitney Independent Study Program for 2024–25 and previously studied fine art and printmaking at the California Institute of the Arts (CalArts), the National College of Art and Design (NCAD, Ireland), and the Rhode Island School of Design (RISD, BFA with honors), before beginning a parallel career in digital and print media and book publishing. Her own writing has appeared in magazines, catalogues, and online platforms including The New York Review of Books, Artforum, Bookforum, Texte zur Kunst, Frieze, The Paris Review, Viscose, ArtReview, Cultured, Topical Cream, Triple Canopy, New York Review of Architecture, i-D, and Spike, as well as publications from Karma, Swiss Institute, the Aspen Art Museum, and Phaidon. She authored the monograph Suellen Rocca: In Dreams, The Last Works (Matthew Marks, 2022), and her second book, Drive It All Over Me (S*I*G-Verlag, 2023), was launched at Maxwell Graham in New York. A French translation was published in 2024 as part of Jay Chung and Q Takeki Maeda’s artwork Bad Driver, a coproduction between mfc-michèle didier (Paris/Brussels) and FRAC Lorraine (Metz, France). She has participated in readings at Artists Space, The Drawing Center, McNally Jackson, BANK/MAB Society, Earth, and on Montez Press Radio.
With more than a decade of experience in editing, she has edited books and catalogues for clients including the George Economou Collection in Athens, Greece, and the experimental music nonprofit Blank Forms in Brooklyn, New York. She has held staff positions at two publications: Artforum, as an Associate Editor, and Garage (VICE Media), as Arts Editor, where she edited the fifteenth print issue while also publishing three articles and commissioning an artist’s project for Artforum. Since 2018, she has worked as a freelance editor on a wide range of short- and long-term projects, from individual essays to book-length works and museum exhibition copy. For further details, please refer to the CV and résumé at the bottom of this page.