Installation view of the Gramercy International Prize–winning presentation at the thirtieth anniversary edition of The Armory Show in New York. In addition to nine paintings—some of which were custom-shaped panels, including one shaped like an iPhone—there were also readymade sculptural pieces, an adhesive vinyl, a sewn silk organza bag of preserved cherry blossoms, and a suite of photographs. The overall concept for this body of work—titled after one potential answer to the question “What is a meme?”—was to create a site of production, reproduction, and circulation of puzzle pieces in an analog culture of the digital. People will look at and engage art through their phones primarily, and so this work, jester-like, played along with the power structure imposed on visual culture by the tech industry. The gesture of this installation was evenly split fifty-fifty in its facetious approach and sincerity of embedded content.